If you still entertain the notion that Hollywood operates primarily from a profit motive, consider the response to Georgia’s abortion ban from companies like Netflix and Disney.
Bob Iger said it would be “very difficult” for Disney to keep filming in Georgia if the state enacts a new abortion law.
In an interview with Reuters, the CEO of the Walt Disney Co. said he had doubts the company would continue production in Georgia if the controversial ban on abortion in the state comes into effect, primarily as the company’s employees would be against it.
“I think many people who work for us will not want to work there, and we will have to heed their wishes in that regard. Right now we are watching it very carefully,” Iger told Reuters.
The exec added that if the law does come into effect, he didn’t “see how it’s practical for us to continue to shoot there.”
Disney’s prospective withdrawal from production in Georgia would be a huge blow to the state. Recently, Disney’s Marvel Studios filmed portions of both Black Panther and Avengers: Endgame in Georgia.
Disney’s attempted shakedown of Georgia makes zero sense from a financial perspective. Not only is the Mouse risking millions in tax breaks, they’re agitating for the deaths of their future customers.
What is the motive behind Hollywood’s fanatical support for infanticide? Consider another group with whom Disney is now a willing bedfellow.
That’s the Satanic Temple suing to stop an Indiana abortion law signed by Mike Pence. Is it a total abortion ban, a heartbeat bill, or even a bill requiring abortuaries to practice the same sanitation as Wendy’s?
No. The Indiana law simply mandates disposing of fetal remains with the same dignity as other human remains, via burial or cremation.
The Satanic Temple is pursuing legal action to prevent murdered babies from receiving a decent burial.
These satanists claim the law could pose undue hardship to mothers seeking to murder their children.
Why? Because it might incline them to think of their dead babies as human beings?
There’s another, darker motive.
The Death Cult which rules us, including the Satanic Temple, Disney, and Netflix, don’t want these children buried.
They want them sacrificed.
Hollywood, the media, and academia belong to a heretical faith disguised with flimsy secular trappings. Their ultimate aims are not wealth and power. They instead seek warped spiritual ends that are perverted reflections of Christian graces.
Preferred pronouns are the Death Cult’s version of transubstantiation. They believe they can turn men into women by uttering the right formula. This article of faith is so sacrosanct to them that they have enacted blasphemy laws protecting these incantations.
Erasing whiteness is an attempt to reverse the Death Cult analogue of original sin. But instead of immersion in water, the one whose skin announces his guilt can only be baptized in his own blood.
But the Death Cult’s highest sacrament, the public liturgy which constitutes the deepest expression of their identity, is child sacrifice.
The glib rhetoric claiming they sought to protect women’s best interests has been revealed as a sham. If abortion were a mere matter of civics, private companies like Disney would have no cause to risk involving themselves in a political controversy guaranteed to alienate huge numbers of their customers.
Disney, Netflix, and the Satanic Temple just want to keep murdering babies. They need to. The precepts of their diabolical faith dictate that the innocent blood must flow. The children must be fed to Moloch. They must not be interred in the ground–especially not ground consecrated to the hated Christ.
Paul Lucas on Twitter deduces through reason alone why the Death Cult hates the Christ.
Authentic sacramentality inverts and confounds all heathen magic. It’s as old as the story of Simon Magus.
This should go without saying, but some have been slow to get the picture. Cancel your Netflix subscription, and don’t give Disney one red cent of your hard-earned money.